last updated
Wednesday, 03-Mar-04 20:49:57 EST


1998 Cabaret Convention - Saturday Night

Sydney Australia CABARET CONVENTION Reports

Here is a report of the 1998 Sydney Australia CABARET CONVENTION as reported by our Australian correspondant, David Schwartz. David sent these reports nightly, and they were e-mailed to all the subscribers of CABARET HOTLINE ONLINE as they were received.

1998 SYDNEY CABARET CONVENTION - NIGHT 2

Tonight's set of entries raised questions with lots of us in the audience about the way acts were selected for the convention. The thirteen acts and the "guest performer" -- the star turn that ended the evening all displayed a degree of ability, but were all of these good and earnest folks really deserving of a place in a CABARET CONVENTION?

Now that this series has increased from three showcase evenings to five showcases and two special concert nights with established performers, some in the crowd were wondering if the organisers had not thrown their net too far afield in their search for talent to fill out the evenings. Surely this event is different from a talent quest.

Judging from the acts assembled for tonight's convention showing, it would seem that that organisers had not been very strict in screening the material. A number of the acts were certainly not ready for critical appraisal or wider commercial viewing.

Most of the talent consisted of singers with a smattering of jazz and impressions thrown in for filler. The majority of performers were "lounge acts" and not seasoned practitioners of the fine art of cabaret. A couple of the performers were somewhat embarrassing in their lack of polish and/or poor selection of material.

Let me name the highlight of the evening, a young 18 year old performer named Nathan Foley. He worked the room with high energy and a level of professional finish that was enviable. Judging from his singing of "Georgia on my mind" he has more than a passing regard for Ray Charles, but Foley managed to hold the room on his own terms and finished with a stunning performance of "Birth of the Blues." It is not surprising that he has received awards this year for promise and encouragement. In short he was "hot."

Four other performers deserve mention: Meryl Leppard, Paul Smith, Gina Zoia and Benjamin Howes. Leppard is a piano stylist who performed two tiny excerpts of original material from her one woman show and managed to convince many of us of her uniqueness. Paul Smith has come a long way from last year's convention when he was the the youngest artist on the bill. He is now a very seasoned jazz performer, singing and playing trumpet.

Zoia opened the night to a "cold room" and showed much promise, though her material let her down. Howes suffered the same difficulty with selection of material, but demonstrated a beautiful voice and high degree of energy. More exposure will provide more polish.

And so another evening ended with more questions than smiles and the anticipation of seeing twelve more acts tomorrow, as well as guest performer Jeanne Little.

David Schwartz



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